This work comes from the profound memories of the artist who, with a delicate and intimate vision, reveals her perception of the movement of water. The final composition of the original was made through two small matrices made specifically according to an ancient Japanese woodcut technique called Baren (wood engraving), applied countless times on several layers of semi-transparent fabric.

Given the very large size of the original (3×3 meters) the artist created the work directly on the floor of his laboratory, thus increasing the perception of being in the middle of great waves of the sea.